Home closest to Los Angeles’ iconic Hollywood sign hits market

A rare home below the Hol­ly­wood sign has hit the mar­ket for the first time in almost 40 years for USD$2.25 mil­lion ($A3.5 mil­lion).

Nes­tled into the hill­side of Beach­wood Canyon, the A‑frame chalet isn’t just close to the famous sign — it’s the clos­est res­i­dence

“It is extreme­ly lim­it­ed,” agent Christo­pher Sof­fer told the out­let. 

“Being the clos­est house to the Hol­ly­wood sign in the world is as lim­it­ed as it gets.”

“It’s perched up in the trees, almost like a tree­house.

“You have this sense when you’re there that you real­ly feel like you’re entrenched in this lifestyle and this peri­od of time that seems to have fad­ed away with the mod­ern age.”

A rare A‑frame home has hit the mar­ket for the first time in almost 40 years for $US2.25 mil­lion. Pic­ture: Lawrence Fitz-Simon via NY Post

The 1963 chalet-style prop­er­ty sits at the end of a pri­vate road in LA’s Beach­wood Canyon and is sur­round­ed by untouched wilder­ness. Pic­ture: Lawrence Fitz-Simon via NY Post

Built in 1963 and tucked at the end of a pri­vate road, the three-bed­room home is a rar­i­ty in both style and set­ting. 

Its A‑frame design — uncom­mon in Los Ange­les — is clad in wood inside and out, cre­at­ing a cab­in-in-the-woods ambi­ence in the mid­dle of one of the city’s most icon­ic neigh­bour­hoods. 

“There’s tons and tons of wood,” Mr Sof­fer said. “You kind of also feel like you’re in a cab­in in the woods, which is beau­ti­ful because the entire A‑frame is essen­tial­ly made out of wood.”

The home’s cur­rent own­ers, dig­i­tal effects pio­neer Jef­frey Kleis­er and sculp­tor Diana Wal­czak, have used the space as both a res­i­dence and cre­ative incu­ba­tor.

Ms Wal­czak, best known for sculpt­ing the Michael Jack­son HIS­to­ry stat­ue and design­ing its dig­i­tal ver­sion for the album cov­er, and Kleis­er, whose cred­its span “Tron” to “X‑Men,” are con­sol­i­dat­ing their prop­er­ty port­fo­lio, accord­ing to Mr Sof­fer.

“They’ve absolute­ly loved liv­ing there and they are cre­atives them­selves,” Mr Sof­fer said. 

“They’ve actu­al­ly record­ed in that house, numer­ous bands over the years.” 

Wal­czak is best known for sculpt­ing Michael Jackson’s HIS­to­ry stat­ue, while Kleiser’s visu­al effects work includes “Tron” and “X‑Men.” Pic­ture: Lawrence Fitz-Simon via NY Post

One of the most famous is The Asso­ci­a­tion, the 1960s band behind hits like “Cher­ish” and “Windy”.

Their con­nec­tion to the prop­er­ty earned it a cameo in Lin­da McCartney’s pho­tog­ra­phy book, “The Six­ties”.

The home’s cre­ative lega­cy doesn’t stop at music, and has qui­et­ly played host to artists, sculp­tors and film­mak­ers over the decades.

“That place kind of attracts a very inter­est­ing crowd and has a very inter­est­ing cre­ative ener­gy to it,” Mr Sof­fer said.

Though it’s tucked into the hills, the prop­er­ty is not with­out mod­ern acclaim. It has been fea­tured on “Stay­ca­tion,” the Emmy-win­ning trav­el show, and was rec­og­nized by Trav­el + Leisure as one of California’s best Airbnbs. 

The own­ers even pro­duce “Hol­ly­wood Hon­ey” on the premis­es, cour­tesy of a small hill­side api­ary tend­ed by a local bee­keep­er.

The three-bed­room home has played host to numer­ous artists and musi­cians. Pic­ture: Lawrence Fitz-Simon via NY Post

The house’s posi­tion­ing on the ridge yields dual vis­tas: the Hol­ly­wood sign at its back and sweep­ing views of down­town LA, Grif­fith Park, and — on clear days — the Pacif­ic Ocean at its front. 

“When you are build­ing on a site like that, the Hol­ly­wood sign is as direct as it gets,” Mr Sof­fer said. 

“When you’re sit­ting on either of the rooftop decks, all you can see is the Hol­ly­wood sign … and on the front of the house, you have these panoram­ic views of the city.”

The list­ing also marks a nod to the roots of the sur­round­ing area. 

“Orig­i­nal­ly, Beach­wood Canyon was built by a sin­gle guy and he had done it because he want­ed to cre­ate a neigh­bour­hood that was per­fect for Hol­ly­wood and stu­dio pro­duc­tion,” Mr Sof­fer said. 

“When they first built the Hol­ly­wood sign, it was actu­al­ly almost like an adver­tise­ment for the neigh­bour­hood.”