Dizzying Facts About ‘Labyrinth’

David Bowie in ‘Labyrinth’ (1986). | Sony Pic­tures Home Enter­tain­ment

The sto­ry of a teenage girl los­ing her baby broth­er to a Gob­lin King resem­bling a rock star didn’t intrigue a lot of peo­ple when it first came out in the­aters in 1986. While Labyrinth ini­tial­ly only made back about half of its $25 mil­lion bud­get, a strong cult fol­low­ing that mar­veled at its sto­ry­telling and (then) impres­sive tech­ni­cal work had its say over time. Here are some facts that will remind you of the babe with the voodoo.

1. THERE WERE 25 TREATMENTS AND VERSIONS OF SCRIPTS WRITTEN.

There were a lot of chefs in the Labyrinth kitchen. Illus­tra­tor Bri­an Froud first pitched Jim Hen­son his vision of a baby sur­round­ed by gob­lins after a screen­ing of The Dark Crys­tal. Using a sto­ry writ­ten by Hen­son and Den­nis Lee as a jump­ing off point, Mon­ty Python’s Ter­ry Jones and Frag­gle Rock writer Lau­ra Phillips each wrote a script. Com­e­dy leg­end and accom­plished scriptwriter Elaine May did some revi­sions that helped human­ize the char­ac­ters. While Jones end­ed up cred­it­ed as the lone screen­writer, because his ver­sion and the final ver­sion are so dif­fer­ent, he didn’t feel “very close” to it.

https://youtu.be/XvjCG3MsaEc?si=p6VZ05k9gYl69c07

Jane Krakows­ki, Yas­mine Bleeth, Sarah Jes­si­ca Park­er, Mary Stu­art Mas­ter­son, Lau­ra Dern, Lili Tay­lor, Lau­ra San Gia­co­mo, Ally Sheedy, and Mia Sara all audi­tioned. Krakows­ki, Sheedy, and Mad­die Cor­man were the top can­di­dates until Jen­nifer Con­nel­ly won Hen­son over.

MICHAEL JACKSON WAS ALSO CONSIDERED TO PLAY JARETH.

In the ear­ly stages, The Gob­lin King was just going to be anoth­er non-human crea­ture, and off of that, Ter­ry Jones wrote a script where Jareth doesn’t show up until halfway through the movie. He got a note from Hen­son that said Michael Jack­son or David Bowie was now going to play Jareth, so he had to appear through­out the movie, singing. Hen­son out­lined the movie with Bowie and met with him a cou­ple of times over two years to give him updates on the devel­op­ment of the film before Bowie agreed to the part.

MAURICE SENDAK WASN’T PLEASED WITH THE SIMILARITIES TO HIS WORK

The plot of Labyrinth was close to the one in Sendak’s Out­side Over There, and some crea­tures were going to be referred to as Wild Things (Sendak was the author of Where the Wild Things Are). Sendak’s lawyers advised Hen­son to stop pro­duc­tion and threat­ened con­se­quences. In the movie’s cred­its, it reads that “Jim Hen­son acknowl­edges his debt to the works of Mau­rice Sendak.” Sendak with­drew his objec­tion, but appar­ent­ly com­plained for years after­ward.

. IT WAS FILMED IN ENGLAND AND NEW YORK.

The open­ing scene was shot in Memo­r­i­al Park in Nyack, New York. Most of the shoot­ing took place at Elstree Stu­dios in Hert­ford­shire, Eng­land.

JARETH’S “MAGIC DANCE” REFERS TO A CARY GRANT/SHIRLEY TEMPLE MOVIE.

https://youtu.be/ViftZTfRSt8?si=KlNmNUh4TgQuurf8

In 1947’s The Bach­e­lor and the Bob­by-Sox­erthere’s a scene in which Grant tells Tem­ple, “Hey, you remind me of a man.” Tem­ple asked, “What man?” “Man with the pow­er,” Grant replied. “What pow­er?” “Pow­er of the hoodoo.” “Hoodoo?” “You do.” “Do what?” “Remind me of a man.” In “Mag­ic Dance,” Bowie replaced “man” with “babe” and “hoodoo” for “voodoo” in the intro.

BOWIE DID NOT DO HIS OWN CRYSTAL BALL JUGGLING STUNTS.

https://youtu.be/3U8fTAHxjdo?si=iKDRqZkC058dD9Fk

THE SHAFT OF HANDS SCENE WAS THE MOST DIFFICULT TO FILM.

https://youtu.be/Dcg9ssRwpfE?si=AhfZNYh6BhBZqnUw

Jen­nifer Con­nel­ly was on a har­ness 40 feet up, with noth­ing to hold on to. She was told that if she tried to touch the back of the shaft, her fin­gers would be chopped off by the hinges. Hen­son remem­bered hav­ing about 100 per­form­ers up a rig.