Still Candice: Bergen’s Comebacks and Cultural Clout

In an indus­try that often seeks to define women by their looks, Can­dice Bergen rewrote the script. Born into Hol­ly­wood roy­al­ty and bur­dened by expec­ta­tions from day one, she turned poten­tial type­cast­ing into a diverse, ground­break­ing career that chal­lenged gen­der norms and earned her the respect of crit­ics, fans, and fem­i­nists alike.

Can­dice Patri­cia Bergen was born on May 9, 1946, in Bev­er­ly Hills, Cal­i­for­nia, the daugh­ter of famed ven­tril­o­quist Edgar Bergen and for­mer mod­el Frances West­er­man. With Char­lie McCarthy—her father’s dummy—drawing more atten­tion than most celebri­ties, Candice’s child­hood was both charmed and pecu­liar. “I grew up com­pet­ing with a wood­en pup­pet,” she once joked. That sense of irony would lat­er become her trade­mark.

Despite the glitz of her upbring­ing, Can­dice didn’t imme­di­ate­ly chase fame. She briefly attend­ed the Uni­ver­si­ty of Penn­syl­va­nia, where she stud­ied art and cre­ative writ­ing. Though she was vot­ed home­com­ing queen and Miss Uni­ver­si­ty, Bergen strug­gled aca­d­e­m­i­cal­ly and was even­tu­al­ly asked to leave. But that detour became a piv­ot point.

With her stun­ning Nordic looks and nat­ur­al poise, Bergen was soon work­ing as a fash­ion mod­el, grac­ing the cov­ers of Vogue and oth­er major mag­a­zines in the 1960s. But she wasn’t con­tent with being just anoth­er pret­ty face. Act­ing soon fol­lowed, and she made her film debut in Sid­ney Lumet’s The Group (1966), play­ing a les­bian char­ac­ter in a time when such roles were con­sid­ered dar­ing, if not scan­dalous

Hol­ly­wood didn’t quite know what to do with Bergen at first. Too beau­ti­ful to be tak­en seri­ous­ly in dra­mat­ic roles, she was often cast as the ele­gant, aloof woman. Yet she steadi­ly carved out a niche, bal­anc­ing dra­ma and com­e­dy in films like Car­nal Knowl­edge (1971) oppo­site Jack Nichol­son and Start­ing Over (1979), which earned her an Acad­e­my Award nom­i­na­tion for Best Sup­port­ing Actress.

Bergen’s true trans­for­ma­tion came in 1988, when she accept­ed the role of Mur­phy Brown, a sharp-tongued, career-dri­ven jour­nal­ist and sin­gle moth­er, in the ground­break­ing CBS sit­com of the same name. It was a rev­e­la­tion. At a time when women on tele­vi­sion were still often rel­e­gat­ed to side­kick or love inter­est roles, Mur­phy Brown was unapolo­get­i­cal­ly opin­ion­at­ed, deeply flawed, and fierce­ly inde­pen­dent.

The show became a cul­tur­al phe­nom­e­non. Bergen’s por­tray­al won her five Emmy Awards and two Gold­en Globes. In 1992, the char­ac­ter even sparked a nation­al polit­i­cal debate when then-Vice Pres­i­dent Dan Quayle crit­i­cized Mur­phy for choos­ing to raise a child alone. Bergen respond­ed with grace—and a sharp­er comedic bite in sub­se­quent episodes. It was one of the few times a fic­tion­al char­ac­ter made real-world head­lines.

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