Hits From the 1980s That Just Don’t Get Enough Praise

When one looks back at the 1980s, they think of MTV, hair met­al, synth pop, and the occa­sion­al clas­sic rock hit. Those were, of course, the sta­ples of the decade. As a result, they’re also the top­ics and styles that sat­u­rate the com­mon mem­o­ry of the musi­cal and cul­tur­al deca­dence of the 1980s.

Giv­en that the 1980s saw a tran­si­tion from the old guard to the new guard, many musi­cians of the 70s who pro­duced hits, pro­duced hits that have often been over­shad­owed by the trends and trendy artists of the decade. With that in mind, here are three hits from the 1980s that just don’t get enough praise.

“Always On My Mind” by Willie Nel­son

Willie Nel­son is by no means a “1980s artist.” How­ev­er, his career in the 80s was incred­i­bly suc­cess­ful, just not in the way the major­i­ty of 80s stars gar­nered their suc­cess. In oth­er words, Nel­son didn’t bend over back­ward to attract the pop­u­lar per­spec­tive of the mass­es. Rather, he stayed true to his guns, and he did so on his 1983 clas­sic, “Always On My Mind

“Always on My Mind” by Willie Nel­son tran­scends any decade. That being said, it is praised gen­er­al­ly, just not as an 80s sin­gle. Fol­low­ing its release, the sin­gle peaked at No. 5 on the Bill­board Hot 100 and at No. 1 on the Hot Coun­try sin­gles chart.

“The Longest Time” by Bil­ly Joel

This Bil­ly Joel sin­gle is by no means an under­rat­ed song. But in regard to the 1980s, it seem­ing­ly takes a back seat. While Bil­ly Joel was an A‑list musi­cal fig­ure in the 80s, he wasn’t an A‑list fig­ure who par­took in the fads of the decade. Hence, “The Longest Time” is not often asso­ci­at­ed with the hits of the decade.

Released in 1983, the sin­gle peaked at No. 14 on the Bill­board Hot 100 and remained on the chart for a total of 11 weeks. To this day, it is one of the more notable songs in Bil­ly Joel’s enor­mous­ly illus­tri­ous and his­toric cat­a­log.

Like Willie and Bil­ly, Elton John was not a strict 1980s musi­cian. He was Elton John, and he could do what­ev­er he want­ed. Need­less to say, he did, and with that auton­o­my came a cat­a­log of songs that stood out amidst the synth pop and hair met­al (which might be why folks don’t remem­ber this sin­gle as an 80s sta­ple).

Fol­low­ing its release in 1983, Elton John’s pop piano piece became one of his biggest hits of the 80s. Specif­i­cal­ly, it graced the No. 4 spot on the Bill­board Hot 100 for two weeks. Many con­sid­er the song to be a com­mer­cial come­back for Elton John.