Nine Lives of a Hollywood Icon

Long before super­hero fran­chis­es dom­i­nat­ed the screens, there was one woman who turned a feline vil­lain­ess into a pop cul­ture icon—Julie New­mar. With her stat­uesque frame, hyp­not­ic voice, and razor-sharp wit, Julie wasn’t just play­ing Cat­woman; she was Cat­woman. But behind the mask and the claws was a woman whose jour­ney through Hol­ly­wood, busi­ness, and life was as bold and fas­ci­nat­ing as any role she ever played.

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Born Julia Cha­lene Newmey­er on August 16, 1933, in Los Ange­les, Cal­i­for­nia, Julie was sur­round­ed by cul­ture and cre­ativ­i­ty from the start. Her moth­er was a fash­ion design­er and her father, a head­lin­ing foot­ball play­er turned col­lege pro­fes­sor. Julie inher­it­ed her father’s intel­lect and her mother’s ele­gance. 

She was a gift­ed child who not only excelled aca­d­e­m­i­cal­ly but also showed promise in the arts. Before she became the siren of the screen, she was a seri­ous bal­let dancer, even per­form­ing with the Los Ange­les Opera as a teenag­er.

In her ear­ly 20s, Julie moved to New York and attend­ed UCLA, study­ing clas­si­cal piano, phi­los­o­phy, and French. She also stud­ied at the School of Amer­i­can Bal­let, and it was there that her extra­or­di­nary poise and grace on stage became evi­dent. 

Her beau­ty and pres­ence didn’t go unnoticed—she was soon cast as a dancer in var­i­ous stage pro­duc­tions. Her first real break came on Broad­way in the ear­ly 1950s when she appeared in Silk Stock­ings, chore­o­graphed by George Bal­an­chine, and then daz­zled audi­ences in Li’l Abn­er as the unfor­get­table Stu­pe­fyin’ Jones.

Julie’s tran­si­tion to film was just as remark­able. One of her ear­li­est notable roles came in 1952, when she danced in the clas­sic musi­cal Just for You. Though uncred­it­ed, her strik­ing appear­ance and phys­i­cal grace set her apart. Through­out the 1950s, she appeared in films like The Band Wag­onand Sev­en Brides for Sev­en Broth­ers, where her tall, ath­let­ic fig­ure and ele­gant style caught atten­tion. She didn’t just dance; she com­mand­edthe screen.

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Yet, it was in tele­vi­sion where Julie New­mar would leave her most endur­ing lega­cy. In 1966, she took on the role that would define her career: Cat­woman in the orig­i­nal Bat­man TV series oppo­site Adam West. With a skin-tight black suit, purring voice, and mag­net­ic sen­su­al­i­ty, New­mar rein­vent­ed the char­ac­ter into some­thing unfor­get­table. 

Her ver­sion of Cat­woman wasn’t just a vil­lain; she was a flir­ta­tious, intel­li­gent adver­sary with a mind of her own. She brought humor, dan­ger, and a whole lot of charis­ma to the role. Julie’s Cat­woman inspired gen­er­a­tions, includ­ing mod­ern actress­es who’ve por­trayed the role in lat­er adap­ta­tions.

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Out­side of her feline fame, Julie was a ver­sa­tile actress who appeared in dozens of TV shows through­out the ’60s and ’70s, from The Twi­light Zone and Route 66 to Bewitched and Star Trek. She starred in her own short-lived sit­com, My Liv­ing Doll (1964–65), where she played a sexy, high­ly intel­li­gent android—a role that high­light­ed her comedic tim­ing and abil­i­ty to blend brains with beau­ty.

But Julie Newmar’s lega­cy didn’t stop with per­for­mance. She was also a sharp busi­ness­woman and a pio­neer in real estate. While many Hol­ly­wood stars strug­gled with finances, Julie bought, restored, and man­aged mul­ti­ple prop­er­ties in Los Ange­les, par­tic­u­lar­ly in the upscale West Hol­ly­wood area. Her pas­sion for beau­ty extend­ed to the gar­dens she cul­ti­vat­ed and the archi­tec­ture she pre­served. She often said that cre­at­ing beau­ti­ful spaces was a form of art equal to act­ing.

In the 1980s and beyond, Julie took on anoth­er role—advocate. In 2003, she revealed that she had been diag­nosed with Char­cot-Marie-Tooth dis­ease, a neu­ro­log­i­cal con­di­tion that affects the mus­cles. Rather than retreat from pub­lic life, she used her plat­form to raise aware­ness and con­tin­ued to work and write. In 2011, she released a mem­oir titled The Con­scious Cat­woman Explains Life on Earth, filled with her insights on style, aging, love, and embrac­ing one’s true self.

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Pop cul­ture con­tin­ued to cel­e­brate her. In 1995, the film To Wong Foo, Thanks for Every­thing! Julie New­mar paid homage to her lega­cy, even fea­tur­ing a cameo appear­ance. The title itself was a nod to her sta­tus as a queer icon and an endur­ing sym­bol of glam­our, indi­vid­u­al­i­ty, and grace.

Julie New­mar is more than just a screen leg­end. She’s an artist, a thinker, and a sur­vivor. Her lega­cy stretch­es from the sil­ver screen to the Broad­way stage, from the rooftops of Gotham to the flow­er­ing gar­dens of Los Ange­les. Few women have played as many roles in life as she has—and even few­er have done it with such fear­less ele­gance.