People Who Have Won at Least 15 Grammys

ROBYN BECK, AFP, Get­ty Images | ROBYN BECK, AFP, Get­ty Images

Win­ning arm­fuls of Gram­mys in one sweep­ing year makes for a great press­room pho­to, such as when Norah Jones won five in 2003 or when Adele won six in 2012, but rack­ing up wins year after year takes a career full of qual­i­ty work. Join­ing the ranks of those artists who have won at least 15 Gram­mys takes time, as these musi­cians prove.

GEORG SOLTI

With 31 wins, Georg Solti is the reign­ing king of the Gram­mys. An orches­tral and oper­at­ic con­duc­tor, he led such world-renowned orches­tras as the Bavar­i­an State Opera and London’s Roy­al Opera, and he served as the music direc­tor of the Chica­go Sym­pho­ny Orches­tra for 22 years. He snagged 30 Gram­mys for clas­si­cal record­ings between 1962 and 1992, as well as a life­time achieve­ment Gram­my the year before his death. “Sir Georg [he was knight­ed in 1972] was the very mod­el of a mod­ern con­duc­tor,” The New York Timeswrote. “He knew that record­ings were essen­tial, and in the stu­dio he was effi­cient enough to turn out hun­dreds of them and art­ful enough to keep a grip on lis­ten­ers’ atten­tion, even in the most fre­quent­ly record­ed reper­to­ry.” Solti died in 1997, and his Gram­my record still stands.

QUINCY JONES

The leg­endary pro­duc­er holds the record for the most Gram­my nom­i­na­tions with 79, but with 27 tro­phies to his name, he’s tied for sec­ond for most won. His first stat­ue came in 1964 for his instru­men­tal arrange­ment of Count Basie’s 1963 song “I Can’t Stop Lov­ing You.” He took home a few more instru­men­tal arrange­ment Gram­mys in the ‘70s, and then he met Michael Jack­son. Their work on Thrillerand “We Are the World” gar­nered him six more wins, and though he is like­ly best known for pro­duc­ing Jackson’s first three albums, the large major­i­ty of Jones’s hon­ors are for his work with clas­si­cal and jazz music.

The blue­grass singer-song­writer has been win­ning Gram­mys since 1991, when she was just 19 years old. That night, Quin­cy Jones swept up six awards, but Krauss would soon catch up with his total—the two of them are tied at 27 for the sec­ond-most Gram­my wins ever—and Krauss could pull ahead in 2018, as she has two nom­i­na­tions. Krauss con­tin­ued win­ning blue­grass and coun­try tro­phies, and became more wide­ly known for her Gram­my-win­ning work on the O Broth­er Where Art Thou? sound­track. But her most sur­pris­ing col­lab­o­ra­tion was with Led Zep­pelin front­man Robert Plant: Their plat­inum 2008 duet album, Rais­ing Sand, won six Gram­mys, includ­ing Record of the Year and Album of the Year

STEVIE WONDER