Robert Redford, Pioneer of Independent Film, Dies at 89

Robert Red­ford, Oscar-win­ning actor, direc­tor, activist and a defin­ing fig­ure of Amer­i­can cin­e­ma, dies at 89

Robert Red­ford, the Hol­ly­wood gold­en boy who grew into an Oscar-win­ning direc­tor, lib­er­al activist, and god­fa­ther of inde­pen­dent film, has died at the age of 89.

Red­ford passed away peace­ful­ly “at his home at Sun­dance in the moun­tains of Utah — the place he loved, sur­round­ed by those he loved,” his pub­li­cist Cin­di Berg­er said in a state­ment. Accord­ing to the New York Times, the vet­er­an actor died in his sleep.

Ris­ing to fame in the 1960s, Red­ford became one of the most bank­able stars of the 1970s, with mem­o­rable per­for­mances in The Can­di­date, All the President’s Men and The Way We Were. He capped the decade with an Acad­e­my Award for Best Direc­tor for 1980’s Ordi­nary Peo­ple, which also won Best Pic­ture.

With his wavy blond hair and charis­mat­ic pres­ence, Red­ford was once con­sid­ered the quin­tes­sen­tial lead­ing man, yet he con­sis­tent­ly sought to break beyond his looks. Through his choice of unglam­orous roles, his out­spo­ken polit­i­cal stances, and his unwa­ver­ing sup­port for young film­mak­ers, he carved out a career that was both com­mer­cial­ly suc­cess­ful and artis­ti­cal­ly influ­en­tial.

His on-screen roles were as var­ied as they were icon­ic — from Wash­ing­ton Post jour­nal­ist Bob Wood­ward in All the President’s Men, to a rugged trap­per in Jere­mi­ah John­son, to a schem­ing con artist in The Sting, and even a Mar­vel dou­ble agent in Cap­tain Amer­i­ca: The Win­ter Sol­dier. His most beloved part­ner­ship, how­ev­er, was with Paul New­man, his close friend and co-star in Butch Cas­sidy and the Sun­dance Kid (1969) and The Sting (1973). Their chem­istry on-screen mir­rored their play­ful friend­ship off-screen and left an indeli­ble mark on pop­u­lar cul­ture.

In lat­er years, Red­ford shift­ed focus to direct­ing and pro­duc­ing, as well as found­ing the Sun­dance Insti­tute and Sun­dance Film Fes­ti­val, which became the heart­beat of inde­pen­dent cin­e­ma. Even as his act­ing appear­ances grew less fre­quent, he con­tin­ued to deliv­er pow­er­ful per­for­mances — notably in Out of Africa (1985), All is Lost (2013), and what he called his farewell role, The Old Man and the Gun (2018).

Reflect­ing on his career, Red­ford told the Asso­ci­at­ed Press: “I’ve had a long career that I’m very pleased with. Ever since I was 21, this has been my life. But as I enter my 80s, I feel it’s time to step back, retire, and spend more time with my wife and fam­i­ly.”

With his pass­ing, cin­e­ma has lost not only a leg­end of the sil­ver screen but also a pio­neer who reshaped Hollywood’s rela­tion­ship with inde­pen­dent film­mak­ing. His lega­cy — as an actor, direc­tor, activist, and men­tor — will endure for gen­er­a­tions to come.

Sun­dance is born

Red­ford had watched Hol­ly­wood grow more cau­tious and con­trol­ling dur­ing the 1970s and want­ed to recap­ture the cre­ative spir­it of the ear­ly part of the decade. 

Sun­dance was cre­at­ed to nur­ture new tal­ent away from the pres­sures of Hol­ly­wood, the insti­tute pro­vid­ing a train­ing ground and the fes­ti­val, based in Park City, Utah, where Red­ford had pur­chased land with the ini­tial hope of open­ing a ski resort. Instead, Park City became a place of dis­cov­ery for such pre­vi­ous­ly unknown film­mak­ers as Quentin Taran­ti­no, Steven Soder­bergh, Paul Thomas Ander­son and Dar­ren Aronof­sky.

For me, the word to be under­scored is ‘inde­pen­dence,’” Red­ford told the AP in 2018. “I’ve always believed in that word. That’s what led to me even­tu­al­ly want­i­ng to cre­ate a cat­e­go­ry that sup­port­ed inde­pen­dent artists who weren’t giv­en a chance to be heard.

“The indus­try was pret­ty well con­trolled by the main­stream, which I was a part of. But I saw oth­er sto­ries out there that weren’t hav­ing a chance to be told and I thought, ‘Well, maybe I can com­mit my ener­gies to giv­ing those peo­ple a chance.’ As I look back on it, I feel very good about that.”

For me, the word to be under­scored is ‘inde­pen­dence,’” Red­ford told the AP in 2018. “I’ve always believed in that word. That’s what led to me even­tu­al­ly want­i­ng to cre­ate a cat­e­go­ry that sup­port­ed inde­pen­dent artists who weren’t giv­en a chance to be heard.

“The indus­try was pret­ty well con­trolled by the main­stream, which I was a part of. But I saw oth­er sto­ries out there that weren’t hav­ing a chance to be told and I thought, ‘Well, maybe I can com­mit my ener­gies to giv­ing those peo­ple a chance.’ As I look back on it, I feel very good about that.”