Street Photos by Marina Nota That Transform Everyday Life into Art

Today, we’re hap­py to intro­duce you to the cap­ti­vat­ing work of Athens-based pho­tog­ra­ph­er Mari­na Nota. What may seem like an ordi­nary scene to most becomes a source of inspi­ra­tion for Mari­na, who is dri­ven to cap­ture those moments through her lens.

Scroll down to explore a col­lec­tion of her pho­tos from Athens and beyond, includ­ing Rome, Italy. Many of Nota’s shots are infused with artistry – using reflec­tions, tex­tures, and over­lap­ping imagery – to show that what might appear dull at first glance can, in fact, be full of poet­ry and hid­den mean­ing

When asked what first drew her to street pho­tog­ra­phy, Mari­na describes it as an “urge to doc­u­ment the life and details on the streets of Athens, which most of the time remain over­looked.” The pho­tog­ra­ph­er added, “Also, I love the process of being on the street tak­ing pic­tures. It makes me feel like being a part of a big­ger liv­ing organ­ism and allows me to ful­ly under­stand and absorb the city’s spir­it and heart­beat.”

We were curi­ous to know what Mari­na con­sid­ers the most unex­pect­ed or sur­re­al scene she has ever cap­tured. Here’s what we found out: “In gen­er­al, my style of pho­tog­ra­phy is to cap­ture scenes depict­ing ordi­nary moments of life and city details, so it actu­al­ly shifts from the clas­sic street pho­tog­ra­phy style of sur­re­al­ism. In that sense, I don’t con­sid­er any of my pho­tos to have an ele­ment of sur­re­al­ism or unex­pect­ed scenes.”

The Greek pho­tog­ra­ph­er also shared with us: “In my work, I usu­al­ly incor­po­rate colour as a means of envelop­ing mood and emo­tion. I believe that each city is char­ac­terised by spe­cif­ic colours which sig­ni­fy a cer­tain era and state of the city. In my opin­ion, for Athens, these are pri­mar­i­ly the colours red and yel­low, so there is a recur­ring pat­tern I use when pho­tograph­ing, for exam­ple, Athens’ yel­low taxis. My goal in gen­er­al is to use ordi­nary ele­ments of the city in order to depict an alter­nate but at the same time exis­tent real­i­ty.”

Last­ly, we were eager to learn the most valu­able les­son the pho­tog­ra­ph­er has tak­en away from cap­tur­ing street images. She shared: “That’s a very inter­est­ing ques­tion. I believe the most impor­tant les­son I learned from street pho­tog­ra­phy is that if you pay atten­tion, you will start notic­ing things that mat­ter. If you start notic­ing things, you’ll be able to under­stand more about your own self. Also, observ­ing peo­ple will alter your per­spec­tive of the world in gen­er­al as you grad­u­al­ly under­stand that in our core as a uni­ver­sal species, love, sen­si­tiv­i­ty, grace, and fragili­ty more often than we think man­age to sur­pass hatred, vul­gar­i­ty, self­ish­ness, and cru­el­ty.”