This Woman’s Controversial Obituary For Her Mom Caused Outrage — But I Think We Need More Like It

My grand­moth­er died last fall.
And if I’m being hon­est, I don’t think she ever stopped being abu­sive — not even at the end.

I’ve thought about writ­ing her obit­u­ary more than once. It feels like some­thing I should do, some­thing fam­i­lies are sup­posed to do. But every time I try, the words stop. There’s no gen­tle way to hon­or some­one who caused so much pain. So none of us in the fam­i­ly have writ­ten one. Maybe this — these words — are as close as I’ll ever get.

We’re raised to believe we shouldn’t speak ill of the dead. But that rule only makes sense if the per­son who died didn’t destroy lives while they were here. What about those of us who lived through their cru­el­ty? What about when silence feels like betray­al — not of them, but of our­selves?

Peo­ple don’t like to hear about abuse in fam­i­lies. They like their grief sto­ries clean and soft, wrapped in euphemisms and nos­tal­gia. When some­one dies, we’re expect­ed to cry, to miss them, to write some­thing glow­ing that turns even their worst moments into lessons. But that’s not real life.

When my grand­fa­ther — “Pop” — died a few years ago, I tried to write hon­est­ly about him. He was kind, fun­ny, and lov­ing, but his life was marked by suf­fer­ing too — much of it at the hands of my grand­moth­er. Once, my father found him walk­ing bare­foot down a coun­try road after she threw him out of the house with noth­ing. I remem­ber him sleep­ing on our couch when I was a child, try­ing to start over.

When I sub­mit­ted his obit­u­ary, I want­ed to cap­ture both — his pain and his peace. But edi­tors kept reject­ing it. They didn’t want to print any­thing that men­tioned the abuse. They want­ed the fairy tale. And so I wrote one — a pret­ty, emp­ty ver­sion that only told half the truth.

Pop deserved bet­ter. He rebuilt his life, found joy in Flori­da, loved Elvis, and filled his days with car restora­tion and laugh­ter. He had final­ly escaped her.

My grand­moth­er, on the oth­er hand, left behind only dam­age. Every gen­er­a­tion of our fam­i­ly car­ries scars from her — emo­tion­al, phys­i­cal, and finan­cial. When I was a baby, she kicked my par­ents and me out of her house over an argu­ment about a messy bath­room. Years lat­er, she had the audac­i­ty to take cred­it for every­thing my par­ents achieved on their own.

I remem­ber her vis­its when I was lit­tle, how my father would qui­et­ly make sure he stayed near­by — just in case. I didn’t under­stand it then, but I do now. I’ve spent years in ther­a­py untan­gling her influ­ence, real­iz­ing how deeply it shaped the way I saw love, trust, and myself.

It’s strange, but when some­one like her dies, the grief isn’t clean. There’s no relief, no clo­sure. Just a hol­low space where the pain used to live.

That’s why I believe in hon­est obit­u­ar­ies — not as revenge, but as release. Telling the truth about the peo­ple who hurt us doesn’t make us cru­el. It makes us whole. Pre­tend­ing they were kind only keeps us trapped in their shad­ow.

I once read a quote by Anne Lam­ott that stuck with me: “You own every­thing that hap­pened to you. Tell your sto­ries. If peo­ple want­ed you to write warm­ly about them, they should have behaved bet­ter.”

I think about that a lot. It reminds me that I have the right to tell the truth — even if it makes oth­ers uncom­fort­able.

So no, there will be no obit­u­ary for my grand­moth­er. Just this — the truth she tried to bury, and the free­dom I final­ly found in say­ing it out loud.

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